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The String of Pearls

by Thomas Peckett Prest

THE STRING OF PEARLSTHOMAS PECKETT PREST
Our binding, not the publisher's

“There is a cellar of vast extent, and of dim and sepulchral aspect--some rough red tiles are laid upon the floor, and pieces of flint and large jagged stones have been hammered into the earthen walls to strengthen them; while here and there rough huge pillars made by beams of timber rise perpendicularly from the floor, and prop large flat pieces of wood against the ceiling, to support it. Here and there gleaming lights seem to be peeping out from furnaces, and there is a strange hissing, simmering sound going on, while the whole air is impregnated with a rich and savoury vapour. This is Lovett's pie manufactory beneath the pavement of Bell-yard and at this time a night-batch of some thousands is being made for the purpose of being sent by carts the first thing in the morning all over the suburbs of London. By the earliest dawn of day a crowd of itinerant hawkers of pies would make their appearance, carrying off a large quantity to regular customers who had them daily, and no more thought of being without them, than of forbidding the milkman or the baker to call at their residences. It will be seen and understood, therefore, that the retail part of Mrs. Lovett's business, which took place principally between the hours of twelve and one, was by no means the most important or profitable portion of a concern which was really of immense magnitude, and which brought in a large yearly income. To stand in the cellar when this immense manufacture of what, at first sight, would appear such a trivial article was carried on, and to look about as far as the eye could reach, was by no means to have a sufficient idea of the extent of the place; for there were as many doors in different directions and singular low-arched entrances to different vaults, which all appeared as black as midnight, that one might almost suppose the inhabitants of all the surrounding neighbourhood had, by common consent given up their cellars to Lovett's pie factory. There is but one miserable light, except the occasional fitful glare that comes from the ovens where the pies are stewing, hissing, and spluttering in their own luscious gravy. There is but one man, too, throughout all the place, and he is sitting on a low three-legged stool in one corner, with his head resting upon his hands, and gently rocking to and fro, as he utters scarcely audible moans. He is but lightly clad; in fact, he seems to have but little on him except a shirt and a pair of loose canvas trousers. The sleeves of the former are turned up beyond his elbows, and on his head he has a white night-cap. It seems astonishing that such a man, even with the assistance of Mrs. Lovett, could make so many pies as are required in a day; but then, system does wonders, and in those cellars there are various mechanical contrivances for kneading the dough, chopping up the meat, &c., which greatly reduced the labour. But what a miserable object is that man--what a sad and soul-striken wretch he looks! His face is pale and haggard, his eyes deeply sunken; and, as he removes his hands from before his visage, and looks about him, a more perfect picture of horror could not have been found.”

From a cookbook of 1861

A cook of roughly the same moment, setting down the same dish.

1861  ·  Beeton
COD PIE

(_Economical_.) I. 235. INGREDIENTS.--Any remains of cold cod, 12 oysters, sufficient melted butter to moisten it; mashed potatoes enough to fill up the dish. _Mode_.--Flake the fish from the bone, and carefully take away all the skin. Lay it in a pie-dish, pour over the melted butter and oysters (or oyster sauce, if there is any left), and cover with mashed potatoes. Bake for 1/2 an hour, and send to table of a nice brown colour. _Time_.--1/2 hour. _Seasonable_ from November to March.

Sources: The passage is from Thomas Peckett Prest, The String of Pearls, free to read in full at Project Gutenberg. The recipe is from Beeton, The Book of Household Management of 1861, also free in full. Both are in the public domain in the United States. The binding above is ours — forest cloth, pear stamp.

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