“The mill is an immense brick building, standing on the shore of the bayou. Running out from the building is an open shed, at least an hundred feet in length and forty or fifty feet in width. The boiler in which the steam is generated is situated outside the main building; the machinery and engine rest on a brick pier, fifteen feet above the floor, within the body of the building. The machinery turns two great iron rollers, between two and three feet in diameter and six or eight feet in length. They are elevated above the brick pier, and roll in towards each other. An endless carrier, made of chain and wood, like leathern belts used in small mills, extends from the iron rollers out of the main building and through the entire length of the open shed. The carts in which the cane is brought from the field as fast as it is cut, are unloaded at the sides of the shed. All along the endless carrier are ranged slave children, whose business it is to place the cane upon it, when it is conveyed through the shed into the main building, where it falls between the rollers, is crushed, and drops upon another carrier that conveys it out of the main building in an opposite direction, depositing it in the top of a chimney upon a fire beneath, which consumes it. It is necessary to burn it in this manner, because otherwise it would soon fill the building, and more especially because it would soon sour and engender disease. The juice of the cane falls into a conductor underneath the iron rollers, and is carried into a reservoir. Pipes convey it from thence into five filterers, holding several hogsheads each. These filterers are filled with bone-black, a substance resembling pulverized charcoal. It is made of bones calcinated in close vessels, and is used for the purpose of decolorizing, by filtration, the cane juice before boiling. Through these five filterers it passes in succession, and then runs into a large reservoir underneath the ground floor, from whence it is carried up, by means of a steam pump, into a clarifier made of sheet iron, where it is heated by steam until it boils. From the first clarifier it is carried in pipes to a second and a third, and thence into close iron pans, through which tubes pass, filled with steam. While in a boiling state it flows through three pans in succession, and is then carried in other pipes down to the coolers on the ground floor. Coolers are wooden boxes with sieve bottoms made of the finest wire. As soon as the syrup passes into the coolers, and is met by the air, it grains, and the molasses at once escapes through the sieves into a cistern below. It is then white or loaf sugar of the finest kind--clear, clean, and as white as snow. When cool, it is taken out, packed in hogsheads, and is ready for market. The molasses is then carried from the cistern into the upper story again, and by another process converted into brown sugar.”
A cook of roughly the same moment, setting down the same dish.
1513. INGREDIENTS.--To every lb. of sugar allow 1/2 pint of water and 1/2 the white of an egg. _Mode_.--Put the sugar, water, and the white of the egg, which should, be well beaten, into a preserving-pan or lined saucepan; and do not put it on the fire till the sugar is dissolved. Then place it on the fire, and when it boils, throw in a teacupful of cold water, and do not stir the sugar after this is added. Bring it to the boiling-point again, and then place the pan by the side of the fire, for the preparation to settle. Remove all the scum, and the sugar will be ready for use. The scum should be placed on a sieve, so that what syrup runs from it may be boiled up again: this must also be well skimmed. _Time_.--20 minutes for the sugar to dissolve; 5 minutes to boil. _Note_.--The above two recipes are those used in the preparation of dishes usually made at home.
Sources: The passage is from Solomon Northup, Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New-Y, free to read in full at Project Gutenberg. The recipe is from Beeton, The Book of Household Management of 1861, also free in full. Both are in the public domain in the United States. The binding above is ours — burgundy cloth, sheaf stamp.